This week was my very last as the Witherspoon Institute’s 2023–2024 Public Discourse Fellow. It has been an important year for me; I am especially grateful for time spent in conversation and reading partnership with Public Discourse’s editor-in-chief, R. J. Snell; for time spent working with our managing editor, Alexandra Davis; and for the opportunity to edit the writing of so many authors much more qualified than I. In just a few weeks I’ll be living in a new state, trying to stay afloat in law school. But only in recent days have I really paused to reflect on how quickly this year has passed––and not just for me.
We’re living at a time when a decade’s worth of news can fill less than a month. A former president dodges a bullet on the campaign trail; the next day he dodges a historic trial. His incumbent rival is forced out of the race, only to be replaced by a simultaneously unremarkable yet “historic” vice president. An embattled Israeli leader visits Washington to defend his nation’s war on terror. Britain’s Tories are mercilessly crushed by Labour after a decade-and-a-half spent languishing in power. Elections in France bring the far Left a stunning victory; “elections” in Venezuela bring the far Left a completely unsurprising “victory.” The Olympics begin in Paris amid arson attacks and a brazen mockery of the Last Supper.
No doubt, our news cycles will continue to accelerate feverishly, nodding toward modernity’s spiraling addiction to drama, novelty, and the ephemeral. As our politics become “totalized” (read R. J. Snell here), as a new media ecosystem reduces politics to entertainment, and as my fellow Gen Zers fall increasingly into masochistic (i.e., anti-Western) fervor, the pace will pick up. Our public discourse, I’m afraid, will mirror those unfortunate changes.
But Public Discourse will not. This is a publication whose raison d’être is wholly at odds with these new, and humanly destructive, tendencies. If ennobling discourse is now countercultural, so too is our journal. Like the Witherspoon Institute, PD is an institution that bears witness to a virtuous (and virtuously “slower”) mode of public engagement: engagement that reflects an open-hearted, honest yearning for the common good. I am glad to have been a part of this team.
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Sign up and get our daily essays sent straight to your inbox.This Month’s Highlights
Read here Jamie Boulding’s reflections on the British Conservative Party’s historic defeat. It is as much a reflection on the Tories’ dismal failure as it is an admonition to three prime political virtues: prudence, moderation, and competence.
Richard Doerflinger issues a powerful warning to other countries at risk of following some American states down the path toward legalized euthanasia.
Daniel Sonnenfeld, an Israeli student, makes what is ultimately a case for honesty and moderation, signaling to anti-semitic Western protesters the dangers of their approach for the prospect of peace and human flourishing.
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From the Archives
At risk of self indulgence, I want to share a few Public Discourse essays that have played a significant role in my own intellectual development since I began reading PD as a Princeton freshman in 2019.
- From Patrick Lee and Robert P. George, “The Soul: Not Dead Yet”
- From John Finnis, on capital punishment, “Intentional Killing Is Always Wrong: The Development Initiated by Pius XII, Made by John Paul II, and Repeated by Francis,” and here, Edward Feser’s reply
- From Ryan T. Anderson, “The Philosophical Contradictions of the Transgender Worldview”
- And this thoughtful exchange between Yoram Hazony and Robert George; both grapple admirably with tough questions about the purpose of the university and how our academic institutions should deal with the recent wave of anti-Israel protests.
What We’re Reading Around the Web
- Ross Douthat, “Donald Trump–Man of Destiny,” The New York Times
- Jacob Siegel, “Learn this Term: ‘Whole of Society,’” Tablet Magazine
- Dan Williams, “The Marketplace of Misleading Ideas,” Conspicuous Cognition
Thanks for reading PD.
Image by lovelyday12 and licensed via Adobe Stock.