The Hell of Absolute Consent in David Foster Wallace’s “Good People”

For a conscience coddled by a culture of self-definition and consent, choice cloaked as grace will always look preferable. But hard, engraved truths such as fatherhood offer rescue from the hell of interminable deliberation—which, as Alasdair MacIntyre has argued, is the hallmark of modern moral theory.
The question is not whether we will wrestle with the morality of art, but how artful our wrestling will be. Irony is not an essence or an end: irony is a means toward other aims. By nature, it appeals to our moral sensibilities, even if at its most mature it does so indirectly.