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Asking “Why?” of the Whole World: Roger Scruton’s The Soul of the World

The “why?” we ask of God receives its most persuasive answer in the beauty, the love, and the heroic devotion of human life.
Thomas Paine’s rationalistic emphasis on freedom, equality, and rights form the basis of our political discourse. Even so, Edmund Burke has something essential to teach us: the way we order our society will always be the consequence, first and foremost, of the way we love.
Just as our culture’s rejection of an essential human nature wreaked havoc on our moral thought, so too our rejection of the concept of form has made our artwork incoherent.
True authority plays a necessary role in our moral lives, and, when it is distributed according to respectable standards of excellence, it ennobles both those who direct it and those who are directed by it.
Neo-Darwinian models of human behavior cannot provide us with authentic self-knowledge; we need to revive the humanist disciplines—rhetoric, the arts, history, and above all things, poetry.
The authentic story of modernism is not one of continuity and emulation, but of violent rupture and hostility to tradition. Art should be oriented toward beauty.
Poetry establishes the polis, the ordered community, because poetry teaches men their “actual desires,” the desires that must be accommodated in any lasting and beneficial order. The second in a two-part series.
Modernist poetry embodies the philosophical perspective of late liberal Western society, giving form to the conception of freedom divorced from essence, the theoretical primacy of the individual, and the broad skepticism towards any notion of a rational human nature. The first in a two-part series.